Work
Petty began working for the Owen Brothers animation studio in Melbourne in 1949, before leaving in 1955 to work overseas with work being published in The New Yorker, Esquire and Punch. On his return to Australia, he worked at first for The Bulletin and The Australian before joining The Age in 1976.
In 1976, he won an Oscar for his animated film Leisure, although he claimed in 2004 that he had no idea of the statue's whereabouts. "When I got it, the Oscar went to the producer. We got a picture of it, a very nice gold-framed picture." (The Age, 22 June 2004)
He has made a number of other award-winning animated films including "Art", "Australian History", "Hearts and Minds" and "Karl Marx".
Bruce has also created a number of "machine sculptures" with the most famous being a piece known as "Man Environment Machine" (fondly known as the "Petty Machine") that was a feature piece of the Australian Pavilion at World Expo '85 at Tsukuba, Japan.
In 2007, he received the AFI Best Documentary Director prize for the documentary Global Haywire which he wrote, directed and animated, as well as the Best Documentary Sound prize ; this documentary tries to unravel the global pattern that leads to an understanding of how the world came to be as it is today, and is based on interviews with intellectuals, students and journalists.
Bruce's 2008 book, Petty's Parallel Worlds, is a retrospective collection of editorial cartoons from 1959 to the present, street sketches done on assignment around the world, and etchings.
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Famous quotes containing the word work:
“What saved me then? Nothing but pregnancy. And each time after I had given birth to my work my life hung suspended by a thin thread.”
—Friedrich Nietzsche (1844–1900)
“Since ... six weeks ago, there has been no day in which I have not had letters and visits on the subject of my nomination for the Presidency.... I say very little. I have in no instance encouraged any one to work to that end.... I have said the whole talk about me is on the score of availability. Let availability do the work then.”
—Rutherford Birchard Hayes (1822–1893)
“The modern artist must live by craft and violence. His gods are violent gods.... Those artists, so called, whose work does not show this strife, are uninteresting.”
—Ezra Pound (1885–1972)