Work
Petty began working for the Owen Brothers animation studio in Melbourne in 1949, before leaving in 1955 to work overseas with work being published in The New Yorker, Esquire and Punch. On his return to Australia, he worked at first for The Bulletin and The Australian before joining The Age in 1976.
In 1976, he won an Oscar for his animated film Leisure, although he claimed in 2004 that he had no idea of the statue's whereabouts. "When I got it, the Oscar went to the producer. We got a picture of it, a very nice gold-framed picture." (The Age, 22 June 2004)
He has made a number of other award-winning animated films including "Art", "Australian History", "Hearts and Minds" and "Karl Marx".
Bruce has also created a number of "machine sculptures" with the most famous being a piece known as "Man Environment Machine" (fondly known as the "Petty Machine") that was a feature piece of the Australian Pavilion at World Expo '85 at Tsukuba, Japan.
In 2007, he received the AFI Best Documentary Director prize for the documentary Global Haywire which he wrote, directed and animated, as well as the Best Documentary Sound prize ; this documentary tries to unravel the global pattern that leads to an understanding of how the world came to be as it is today, and is based on interviews with intellectuals, students and journalists.
Bruce's 2008 book, Petty's Parallel Worlds, is a retrospective collection of editorial cartoons from 1959 to the present, street sketches done on assignment around the world, and etchings.
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Famous quotes containing the word work:
“Some of the smartest women in the country said that they’re too embarrassed to attend their reunions at Harvard Business School if they have dropped out of the work force, left the fast track by choosing part-time work, or decided to follow anything other than the standard male career path.”
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“As a work of art it has the same status as a long conversation between two not very bright drunks.”
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“I am from time to time congratulating myself on my general want of success as a lecturer; apparent want of success, but is it not a real triumph? I do my work clean as I go along, and they will not be likely to want me anywhere again. So there is no danger of my repeating myself, and getting to a barrel of sermons, which you must upset, and begin again with.”
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