Reception
The film has received positive reviews by critics. The review aggregator website Rotten Tomatoes reported that 81% of critics gave the film a positive rating, based on 145 reviews. Its consensus states "Pedro Almodovar's fourth film with Penélope Cruz isn't his finest work, but he brings his signature visual brilliance to this noirish tale, and the cast turns in some first-class performances." It currently holds a score of 76 (generally favorable reviews) on Metacritic. Chicago Sun-Times film critic Roger Ebert gave the film four out of four stars, and wrote that "Broken Embraces is a voluptuary of a film, drunk on primary colors, caressing Penelope Cruz, using the devices of a Hitchcock to distract us with surfaces while the sinister uncoils beneath."
The film was accepted into the main selection at the 2009 Cannes Film Festival in competition for the prestigious Palme d'Or, Almodóvar's third to do so, and fourth to screen at the festival. Broken Embraces was nominated for the 2010 Golden Globe Award for Best Foreign Language Film, Almodóvar's sixth film to be nominated in this category. It was also nominated for the Satellite Award for Best Foreign Language Film, as well as the Satellite Award for Best Actress for Penélope Cruz's performance, and received both a Best Directing and a Best Original Script at the 2010 Vits Awards.
Read more about this topic: Broken Embraces
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)