Criticism
The movement has been criticised by some (both religious and non-religious) who have objected to the adoption of the title "bright" because they believe it suggests that the individuals with a naturalistic worldview are more intelligent ("brighter") than non-naturalists, such as philosophical skeptics or idealists, believers in the paranormal, philosophical theists or the religious. For example, the Committee for Skeptical Inquiry published an article by Chris Mooney titled "Not Too 'Bright'" in which he stated that, although he agreed with the movement, Richard Dawkins' and Daniel Dennett's "campaign to rename religious unbelievers 'brights' could use some rethinking" because of the possibility that the term would be misinterpreted. The journalist and noted atheist Christopher Hitchens likewise found it a "cringe-making proposal that atheists should conceitedly nominate themselves to be called 'brights.'" Dennett posed the idea that super may serve well as a positive title for those who believe in the supernatural. He also suggested this during his presentation at the Atheist Alliance International '07 convention.
Similarly, Michael Shermer, who is an Enthusiastic Bright, has nevertheless resisted using the term to describe himself, saying, "I don't call myself a 'Bright'.”
In response to this Daniel Dennett has stated in his book Breaking the Spell:
There was also a negative response, largely objecting to the term that had been chosen : bright, which seemed to imply that others were dim or stupid. But the term, modeled on the highly successful hijacking of the ordinary word "gay" by homosexuals, does not have to have that implication. Those who are not gays are not necessarily glum; they're straight. Those who are not brights are not necessarily dim.
Read more about this topic: Brights Movement/Archive 1
Famous quotes containing the word criticism:
“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)
“As far as criticism is concerned, we don’t resent that unless it is absolutely biased, as it is in most cases.”
—John Vorster (1915–1983)