Breakfast On Pluto (film) - Production

Production

To prepare for the lead role of Kitten, Murphy studied women's body language and for a few weeks met with a drag queen who instructed him and took him out clubbing with friends.

Neil Jordan and Pat McCabe made big changes to the story in their adaptation of the novel for the silver screen. In the book, the protagonist is called "Pussy," but Jordan and McCabe rename her "Kitten" in the film. Unlike the highly sexual Pussy, who is sexually involved with numerous male and female characters in some rather kinky situations as well as a few long-term relationships, Kitten doesn't even kiss another character on the lips. One sexual encounter for hire is strongly implied, but Kitten is not shown being overtly sexual with anyone on screen. Kitten's flirtatious relationships with the series of male characters she meets throughout the film are never shown or strongly implied to have been consummated, leaving the yearning main character unrequited.

The seaside scene between Kitten and Bertie was considered by some to be an allusion to director Jordan's earlier film The Crying Game, which also involved a transgender major character, the IRA, and actor Stephen Rea. In The Crying Game, Rea's character doesn't realize that the woman he has fallen for and become sexually involved with is biologically male. In Breakfast on Pluto, Kitten confesses that she's "not a girl" before Rea's character can kiss her, and he says kindly that he already knew, but does not follow through with the kiss.

The author of the novel upon which the film is based, co-screenwriter Patrick McCabe, has a cameo in the film as Kitten's creative writing teacher. Declan Burke also played his part as the leading extra.

Read more about this topic:  Breakfast On Pluto (film)

Famous quotes containing the word production:

    ... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.
    Jane Addams (1860–1935)

    From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.
    Charles Darwin (1809–1882)

    I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)