History
Brazos Bend State Park occupies land bordering the Brazos River and includes within its boundaries low-lying areas left over from the River's previous meanderings. Pre-Columbian inhabitants included a series of Native American groups, most notably the Karankawa. The land passed through a variety of landowners' hands, resulting in some of the existing structures on the Park grounds, including a brick cistern built with slave labor. The Park's current nature center is built into a structure previously utilized as a hunting cabin. Over the years, improvements were made to the various water bodies in the Park for both recreational and flood management purposes. A low-elevation levied walkway surrounds the perimeter of some of the larger water bodies (Elm Lake, 40 Acre Lake, etc.). While significant modifications were made to the land within the Park in the past, the current management strategy is to allow, in balance with the recreational elements of the Park's mission, the maintenance of a natural landscape. In 1984 the Park was officially opened to the public, its lands having been donated to the state several years previously. In 2009, the Park celebrated its 25th Anniversary with a variety of special events and recognitions. Today the Park is run by the Texas Parks and Wildlife Department, with the assistance of an active non-profit volunteer organization.
Read more about this topic: Brazos Bend State Park
Famous quotes containing the word history:
“The whole history of civilisation is strewn with creeds and institutions which were invaluable at first, and deadly afterwards.”
—Walter Bagehot (1826–1877)
“It’s a very delicate surgical operation—to cut out the heart without killing the patient. The history of our country, however, is a very tough old patient, and we’ll do the best we can.”
—Dudley Nichols, U.S. screenwriter. Jean Renoir. Sorel (Philip Merivale)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)