Childhood
Music entered Mello's life through the cinema. Every week, his father would take him to watch musicals at Metro. The movies' soundtracks joined other influences, like Bossa Nova, or the shows promoted by his mother, Lu Brandão, a cultural producer.
At his adolescence, already nicknamed "Branco" (White) by his friends, he listened to almost everything. Frank Sinatra, Glenn Miller, Gilberto Gil, Caetano Veloso, Chuck Berry, Little Richard, The Doors, Stray Cats, The Clash, João Gilberto, Raul Seixas, Tim Maia, Cartola, Zé Ketti are some of his favorite artists.
He decided to play the acoustic guitar. He and Marcelo Fromer, whom he met at Hugo Sacramento school, began to make the firsts partnerships. They even entered a music festival in Rio de Janeiro promoted by Brahma with two songs, although they were not selected. At that point they formed the Trio Mamão, with Tony Bellotto. Also at that time, they helped Serginho Groisman (which would later become the presenter of Altas Horas, a midnight program of Brazilian channel Globo) on the production of shows of famous Brazilian musicians, like Clementina de Jesus, Jorge Mautner and Luiz Melodia, three of Mello's idols.
Read more about this topic: Branco Mello
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“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
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