Boys in The Sand - Production

Production

Poole was inspired to make the film after he went with some friends to see a film called Highway Hustler. After watching the film, he said to a friend, "This is the worst, ugliest movie I've ever seen! Somebody oughta be able to do something better than this." Poole was convinced that he was that somebody; "I wanted a film that gay people could look at and say, 'I don't mind being gay - it's beautiful to see those people do what they're doing.'" Having enlisted the help of his lover, Peter Fisk, and another man, Poole first shot a ten-minute segment entitled Bayside.

The success of that initial shoot convinced Poole to plan two more segments and seek theatrical distribution for the completed work. He hired Tommy Moore and Casey Donovan for the third segment, Inside. When Fisk's scene partner from Bayside heard about the potential distribution deal, he refused to sign release forms until he was guaranteed 20% of the profits. Instead, Poole decided to scrap the segment and re-shoot with Fisk and Donovan. The resulting footage was so good that Poole decided to use Donovan for the second segment as well, entitled Poolside, and construct the loose storyline around him. The three segments were filmed on a budget of $8,000 over three successive weekends in August 1971 in the gay resort area of Fire Island, New York.

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Famous quotes containing the word production:

    “The society based on production is only productive, not creative.”
    —Albert Camus (1913–1960)

    “The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
    —Ernest Gellner (b. 1925)

    “By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
    —Friedrich Engels (1820–1895)