Boys in The Sand - Popular and Critical Reception

Popular and Critical Reception

Boys in the Sand had its theatrical debut on December 29, 1971, at the 55th Street Playhouse in New York City. Poole engaged in an unprecedented pre-release publicity campaign, including screening parties and full-page ads in The New York Times and Variety.

The film made back most of its production and promotions budget the day it opened, grossing close to $6,000 in the first hour, and nearly $25,000 during its first week, landing it on Variety's list of the week's 50 top grossing films. Positive word of mouth spread and the film was favorably reviewed in Variety ("There are no more closets!"), The Advocate ("Everyone will fall in love with this philandering fellator.") and other outlets, which previously had completely ignored the genre. While some critics were less impressed, others saw the film as akin to the avant-garde work of directors like Kenneth Anger and Andy Warhol. Within six months the film had grossed $140,000 and was continuing to open in theatres across the United States and around the world.

The film's mainstream popularity helped usher in the era of "porno chic," a brief period of mainstream cultural acceptability afforded hardcore pornographic film, having been cited as "very much a precursor" to the following year's crossover success of Deep Throat. The film would continue to attract critical and scholarly attention from pornography historians and researchers for years after its release. The film is credited with beginning the trend of giving pornographic films titles that spoof the names of non-porn films.

With the success of Boys in the Sand, Casey Donovan became an underground celebrity. While he never achieved the mainstream film career for which he had hoped, he continued his career in pornography and translated his fame into some appearances on the legitimate stage, including a successful national tour in the gay-themed play Tubstrip and an unsuccessful attempt to produce a revival of The Ritz. His fame also allowed him success as a high-priced escort. He remained a bankable commodity in the adult industry, making films for the next fifteen years until his death from AIDS-related illness in 1987.