Reception
"Bossy" received mixed reviews from music critics. A Billboard review said "the track spotlights the raspy-voiced singer's dominating side as she rhymes about liking things her way over simple drums", while Nick Levine of Digital Spy considered "Bossy" as an "electro-dance-pop with attitude", but commented that it "isn't pop gold - the chorus lacks a bit of oomph and Lohan's vocals still aren't convincing - but it's the first Lohan tune we'd be prepared to listen to more than once. That, we suppose, is enough to constitute a small step forward". Kate Brandli of Blogcritics said "Bossy" "is not nearly as good or as catchy as Miss Lohan's previous musical attempts", while commenting that its lyrical content "is an obvious reflection on Miss Lohan's relationship with the paparazzi. As Miss Lohan sings in the lyrics, she does what she wants, she controls them, and not vice versa. Unfortunately, Miss Lohan's logic is not entirely correct--neither party has the authority to boss the other around. That is, sadly, the price of fame these days--once people want in, they want total access and exposure. With some individual's antics, like Miss Lohan and Britney Spears, it is difficult to garner sympathy for them". "Bossy" reached number 77 on the Canadian Hot 100, and became Lohan's first song from her entire career to reach number one on the United States' Billboard Hot Dance Club Play. The song also managed to peak on the Global Dance Tracks component chart.
Read more about this topic: Bossy (Lindsay Lohan Song)
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)