Production
The series was conceived by Miller and Boyett as a male counterpart to their hit sitcom Laverne & Shirley. They originally pitched it as a straightforward buddy comedy done in what they described as "a sophisticated Billy Wilder kind of way." When ABC executives asked Miller and Boyett to explain what they meant by the comparison to Wilder, the producers mentioned Some Like It Hot and ABC bought the show on condition that it would include men in women's clothing, just like that movie. "We weren't there to pitch that", Miller recalled. "And they jumped on it! We drove back to the studio in the car saying, 'Oh my God, what are we gonna do? We have to do something in drag.'"
After the cast had been chosen, Miller and Boyett asked Chris Thompson, one of the writer-producers of Laverne & Shirley, to write the pilot and be the series showrunner. Thompson (who would go on to executive-produce such shows as The Larry Sanders Show), said later that he took the job purely for the money, but unexpectedly found it to be "my completely favorite experience in show business", because the network left him and his young cast free to experiment. "We were left alone", he recalled. "Nobody was paying attention to us. We were all really young, but it was like we had daddy's Porsche. We had $500,000 to play with every week."
Bosom Buddies was taped on Stage 25 at Paramount Pictures. Stage 25 was also the home of The Lucy Show, Cheers, and its spin-off Frasier.
Like many other sitcoms that aired during the 1980-81 television season, Bosom Buddies felt the effects of a strike by the Screen Actors Guild and American Federation of Television and Radio Artists that occurred in 1980. As a result, the show had an abbreviated first season. At first, its ratings were strong. However, ABC kept switching the show's day and time slots, which hurt the first season's overall standing. The second season, with its revised premise, fared even worse, and after more time slot changes by the network, the show was canceled (amidst loud complaints from the many viewers who had become fans).
Bosom Buddies was one of the last shows to use the Miller-Milkis-Boyett production team due to Eddie Milkis leaving the company in 1984. This was also one of the last Miller-Boyett sitcoms to be produced by Paramount Television before they moved their base of operations to Lorimar Productions (later Warner Bros. Television).
The theme song for the opening credits was "My Life" by Billy Joel, although Joel's version was not used on the air. Some reruns shown in syndication (such as when USA Network and TBS aired reruns, as well as its current run on Me-TV) and all home video and DVD releases use a vocal version of the show's end credit instrumental theme, "Shake Me Loose", performed by Stephanie Mills, for the opening credits, with "My Life" removed altogether.
Read more about this topic: Bosom Buddies
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)