Plot
The story is about a young elvish princess Apricot (アプリコット ひめ) whose mission is to return to her home - Fountain land, occupied by evil forces of a monster called Scorpion (スコーピオン), before the total eclipse of the Sun. If she manages to sit on a throne before the eclipse, she'll release a great power of water that will destroy the occupators. To prevent that from happening, she's been kidnapped by mysterious cloacked man called Hoodman (フードマン), and his, rather clumsy, aides: Jack (ジャック) and Franz (フランツ). Their mission is to keep princess away from her home land until the eclipse. In the first episode, she escapes from the villains by sending a message by her trusty mechanical bird Speak (スピーク). The princess's urgent call for help is accidentally heard by inhabitants of Bosco forest: brave and adventurous Frog (フローク), intelligent and ingenious inventor Tutty (タッティ), and cowardly, but kind and warm-hearted Otter (オッター). They save her from the villains, and the princess becomes a part of Bosco crew. Guys decide to help Apricot finding her way back home, before it's too late. On their way to Fountain land they get into myriad of adventures, where they prove their desire and ability to help and protect those who are in need, and where their own relationships between each other flourish and develop into strong friendship and love.
Read more about this topic: Bosco Adventure
Famous quotes containing the word plot:
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)