Production
"I thought the direction was a little sloppy, but it's one of those episodes that plays a little closer to reality and I like that about it, There's a nice twist in it about a man marrying the wife of another man he had killed. There were actually some nice effects. Just not one of my favourites."
–Chris Carter on "Born Again"Writer Howard Gordon was disappointed with the episode, finding it too similar to other series being aired around the same time. He also believed that the episode seemed "a little too cop show-y" overall, stating that he did not think it "was very well executed on any front". David Duchovny also reportedly "detested" the episode, despite a guest appearance by his then-girlfriend Maggie Wheeler.
Executive producer R. W. Goodwin recalls being on location for the episode's opening scene, in which Detective Barbala is thrown from a window. The room used for the scene had two windows side-by-side, and one had been replaced with sugar glass for the stunt. When the false window was blown out to simulate someone being thrown through it, the crew found that the glass window beside the false one had also accidentally been blown out. The episode's key grip, Al Campbell, suggested that the next shot show Barbala's dog lying beside his body to explain the second window breaking.
Read more about this topic: Born Again (The X-Files)
Famous quotes containing the word production:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)