Boris Pahor - Literary Achievements and Influence

Literary Achievements and Influence

From the 1960s, Pahor's work started to become quite well known in Yugoslavia, but it did not gain a wide recognition due to the opposition from the Slovenian Communist Regime, which saw Pahor as a potential subversive figure. Nevertheless, he became one of the major moral referents for the new post-war generation of Slovene writers, among others Drago JanĨar who has frequently pointed out his indebtedness to Pahor, especially in the essay "The Man Who Said No", published in 1993 as one of the first comprehensive assessments of Pahor's literary and moral role in the post-war era in Slovenia.

Pahor's major works include the Vila ob jezeru (A Villa by the Lake), Mesto v zalivu (The City in the Bay), Nekropola (Pilgrim among the Shadows), a trilogy about Trieste and the Slovene minority in Italy (1920-1947) (Spopad s pomladjo - A Difficult Spring, Zatemnitev - Obscuration, V labirintu - In the Labyrinth), and Zibelka sveta (The Cradle of the World).

Read more about this topic:  Boris Pahor

Famous quotes containing the words literary, achievements and/or influence:

    “Society has really no graver interest than the well-being of the literary class.”
    —Ralph Waldo Emerson (1803–1882)

    “Freedom of enterprise was from the beginning not altogether a blessing. As the liberty to work or to starve, it spelled toil, insecurity, and fear for the vast majority of the population. If the individual were no longer compelled to prove himself on the market, as a free economic subject, the disappearance of this freedom would be one of the greatest achievements of civilization.”
    —Herbert Marcuse (1898–1979)

    “I think of consciousness as a bottomless lake, whose waters seem transparent, yet into which we can clearly see but a little way. But in this water there are countless objects at different depths; and certain influences will give certain kinds of those objects an upward influence which may be intense enough and continue long enough to bring them into the upper visible layer. After the impulse ceases they commence to sink downwards.”
    —Charles Sanders Peirce (1839–1914)