Design and Ride Experience
The Boomerang consists of a single train with seven cars, capable of carrying 28 passengers. The ride begins when the train is pulled backwards from the station and up the first lift hill by a catchcar. After being released, the train passes through the station, enters a Cobra roll element (referred to as a boomerang by the designers), and then travels through a vertical loop. After being pulled up a second lift hill, the train is released to head backwards through each inversion once more, making the total amount of inversions per ride six. The train slows down as it passes through the station backwards, and then comes to a complete stop in the station. This coaster model is popular among Six Flags and Herschend amusement parks in the United States, but it has appeared at amusement parks around the world.
Boomerang coasters have occasionally stalled, often in the Cobra Roll element. As a precaution, many Boomerang coasters are built with an access platform just under the Cobra Roll/Boomerang element.
Read more about this topic: Boomerang (roller Coaster)
Famous quotes containing the words design, ride and/or experience:
“What but design of darkness to appall?—
If design govern in a thing so small.”
—Robert Frost (1874–1963)
“Not too many years ago, a child’s experience was limited by how far he or she could ride a bicycle or by the physical boundaries that parents set. Today ... the real boundaries of a child’s life are set more by the number of available cable channels and videotapes, by the simulated reality of videogames, by the number of megabytes of memory in the home computer. Now kids can go anywhere, as long as they stay inside the electronic bubble.”
—Richard Louv (20th century)
“In his comprehensive delight in all experience Dickens resembles Walt Whitman, but he was innocent of that nebulous transcendentalism that blurred Whitman’s universe into vast misty panoramas and left him, for all his huge democratic vistas, unable to tell a story or paint a single concrete human being.”
—Edgar Johnson (1912–1990)