Books By George Orwell - Other Works

Other Works

After his first publication—the poem "Awake! Young Men of England", published in Henley and South Oxfordshire Standard in 1914—Orwell continued to write for his school publications The Election Times and College Days/The Colleger. He also experimented with writing for several years before he could support himself as an author. These pieces include first-hand journalism (e.g. 1931's "The Spike"), articles (e.g. 1931's "Hop-Picking"), and even a one-act play—Free Will. (He would also adapt four plays as a radio dramas.)

His production of fiction was not as prolific—he wrote a few short stories which were unpublished, and claimed to have written two entire novels in French while living in Paris, but burned the manuscripts (Orwell routinely destroyed his manuscripts and with the exception of a partial copy of Nineteen Eighty-Four, all are lost. Davison would publish this as Nineteen Eighty-Four: The Facsimile of the Extant Manuscript by Houghton Mifflin Harcourt in May 1984, ISBN 0-15-166034-4.) In addition, Orwell produced several pieces while working at the BBC as a correspondent. Some were composed by him and others were merely recited for radio broadcast. For years, these went uncollected until the anthologies Orwell: The War Broadcasts (Marboro Books, June 1985 and in the United States, as Orwell: The Lost Writings by Arbor House, September 1985) and Orwell: The War Commentaries (Gerald Duckworth & Company Ltd., London, 1 January 1985) were edited by W. J. West. Orwell was responsible for producing The Indian Section of BBC Eastern Service and his program notes from 1 February and 7 December 1942, have survived (they are reproduced in War Broadcasts). He was also asked to provide an essay about British cooking along with recipes for The British Council. Orwell kept a diary which has been published by his widow—Sonia Brownell—and academic Peter Davison, in addition to his private correspondence.

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Famous quotes containing the word works:

    I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
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    I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.
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