Reception
Reviews of Bombers B-52 mainly focused on the aerial scenes, which during the Cold war era, did project a near-propaganda effort, using many period aircraft to depict the era faithfully. The review in The New York Times was mildly laudatory, describing it as a "frank tribute to Air Force nuclear power, laced together with a familiar service feud ... Irving Wallace's dialogue is excellent. Furthermore, his unpretentious scenario is credible and persuasive in training sequences and especially in the hearth scenes." The performances of the leads was also considered "natural." Overall, the Times critic thought "'Bombers B-52' is not, but it could have been much, much worse." Variety gushed that it was "magnificently mounted, with breathtaking scenes of the new B-52s," while Time magazine more aptly characterized Bombers B-52 as a "$1,400,000 want ad for Air Force technicians." In other reviews, the dichotomy of a 19-year-old Natalie Wood, being courted by 40-year-old Efrem Zimbalist Jr. was noted as well as the attempt to portray a contemporary, if tepid love story.
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Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)