Artist
Over a decade after Random House had published Drawn Blank (1994), a book of Dylan's drawings, an exhibit of his art, The Drawn Blank Series, opened in October 2007 at the Kunstsammlungen in Chemnitz, Germany. This first public exhibition of Dylan's paintings showcased more than 200 watercolors and gouaches made from the original drawings. The exhibition coincided with the publication of the book Bob Dylan: The Drawn Blank Series, which includes 170 reproductions from the series. From September 2010 until April 2011, the National Gallery of Denmark exhibited 40 large-scale acrylic paintings by Dylan, The Brazil Series.
In July 2011, a leading contemporary art gallery, Gagosian Gallery, announced their representation of Dylan's paintings. An exhibition of Dylan's art, The Asia Series, opened at the Gagosian Madison Avenue Gallery on September 20, displaying Dylan's paintings of scenes in China and the Far East. The New York Times reported that "some fans and Dylanologists have raised questions about whether some of these paintings are based on the singer's own experiences and observations, or on photographs that are widely available and were not taken by Mr. Dylan." The Times pointed to close resemblances between Dylan's paintings and six historic photos of Japan and China which had been posted on the Flickr website. Dylan's paintings also appeared to be based on photographs taken by Dmitri Kessel, Henri Cartier-Bresson, and Jacob Aue Sobol. The Magnum photo agency confirmed that Dylan had licensed the reproduction rights of these photographs.
Dylan's second show at the Gagosian Gallery, Revisionist Art, opened on November 28, 2012. The show consists of thirty paintings, transforming and satirizing popular magazines including Playboy and Babytalk.
Read more about this topic: Bobby Dylan
Famous quotes containing the word artist:
“Only mediocrities progress. An artist revolves in a cycle of masterpieces, the first of which is no less perfect than the last.”
—Oscar Wilde (1854–1900)
“Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.”
—Angela Carter (1940–1992)
“Today the function of the artist is to bring imagination to science and science to imagination, where they meet, in the myth.”
—Cyril Connolly (1903–1974)