Film
Between 1950 and 1967 he acted in five musical film productions: two Belgian, two German, and one German-Czech. In 1962 he played the leading role in the absurd comedy, At the Drop of a Head (alias ‘’De Ordannans’’), together with leaders of the Flemish film scene: Ann Peterson, Yvonne Lex, Denise Deweerdt, Nand Buyl, and Tony Bell. The Dutch and English versions were recorded on the set at the same time. Schoepen was not pleased with this particular adventure into the world of film: “The takes were chaotic and they fired two different directors. Jef Bruyninckx (alias, De Witte) had to solve everything.” In 1999, the Belgian cult-rock band, Dead Man Ray, toured through Belgium and the Netherlands with the film. For Daan Stuyven (Daan) and Rudy Trouvé (ex-dEUS), it is also an ode to the sometimes misunderstood)artistic versatility that characterized Schoepen the artist:
- ‘’A true professional who was able to turn his jazzy country-guitar playing, his deep, angelic voice and his wacky sense of humor into a trademark and later into an amusement park.’’
Read more about this topic: Bobbejaan Schoepen
Famous quotes containing the word film:
“[Film noir] experiences periodic rebirth and rediscovery. Whenever we have any moment of deep societal rift or disruption in America, one of the ways we can express it is through the ideas and behavior in film noir.”
—John Briley (b. 1925)
“His education lay like a film of white oil on the black lake of his barbarian consciousness. For this reason, the things he said were hardly interesting at all. Only what he was.”
—D.H. (David Herbert)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)