Bob Pejman - Early Years

Early Years

Bob Pejman aka Babak Pejman was surrounded by art and music from an early age. The son of the an operatic composer and a concert musician, he spent his early childhood in Vienna and then, by way of England, moved to the United States in 1976. Pejman began painting by the age of seven and pursued his art education through high school. However, despite his art instructor's insistence for him to pursue an education and career in art, Pejman decided to enter the field of business management. Upon graduating from Rutgers University and after numerous years of employment at software companies such as Control Data Corporation, Pejman secured a position as Vice President of Marketing at Information Resources, Inc., a global market research company.

In 1988, Pejman decided to return to the art world by opening a gallery in Short Hills, New Jersey called Pejman Gallery Inc. As a result of his direct exposure to fine art and contact with European masters whom he was representing at the gallery, he decided to start painting again. In 1991 he began his two year formal studies with the Russian artist, Anatoly Ivanov. Later he attended the Art Students League of New York as well as furthering his studies with the contemporary Impressionist artist, Ovanes Berberian. Among his art instructors, Ivanov influenced Pejman the most by inspiring him to use the techniques of old masters such as Michelangelo and Rafael. Employing these techniques, Pejman blends them with impressionistic colors to achieve a classical but yet contemporary style.

Read more about this topic:  Bob Pejman

Famous quotes containing the words early years, early and/or years:

    If there is a price to pay for the privilege of spending the early years of child rearing in the driver’s seat, it is our reluctance, our inability, to tolerate being demoted to the backseat. Spurred by our success in programming our children during the preschool years, we may find it difficult to forgo in later states the level of control that once afforded us so much satisfaction.
    Melinda M. Marshall (20th century)

    Foolish prater, What dost thou
    So early at my window do?
    Cruel bird, thou’st ta’en away
    A dream out of my arms to-day;
    A dream that ne’er must equall’d be
    By all that waking eyes may see.
    Thou this damage to repair
    Nothing half so sweet and fair,
    Nothing half so good, canst bring,
    Tho’ men say thou bring’st the Spring.
    Abraham Cowley (1618–1667)

    War and culture, those are the two poles of Europe, her heaven and hell, her glory and shame, and they cannot be separated from one another. When one comes to an end, the other will end also and one cannot end without the other. The fact that no war has broken out in Europe for fifty years is connected in some mysterious way with the fact that for fifty years no new Picasso has appeared either.
    Milan Kundera (b. 1929)