The Glory Years
Gibson first met Albert Grossman while performing at the Offbeat Room. Grossman had an idea for a folk club on the near north side of Chicago and, in 1956, opened the Gate of Horn. In the third week after opening, Grossman booked Gibson into the club. He began a continuous performing streak that lasted eleven months. Beginning as an opener for many of the acts, by the end of his eleven-month stay, Gibson was the headliner, closing for everyone.
Grossman had a knack for finding talent. This list of performers he booked into The Gate of Horn included Josh White, Glenn Yarborough, Odetta, Joan Baez (which led to Gibson's inviting the then unknown performer to join him at the 1959 Newport Folk Festival), Hamilton Camp, and Judy Collins. Grossman had "scouted" Bob Gibson for his club, but he could not imagine the headline act that Gibson would become. Bob Gibson was on his way to becoming a legend in Chicago in the early 1960s, helped along by a talented singer and songwriter, Hamilton Camp. In 1961 their debut album was released on Elektra Records, Gibson and Camp at the Gate of Horn. A watershed album, it influenced singers from John Lennon to Gordon Lightfoot to John Denver. Lightfoot's "Canadian Railroad Trilogy" was patterned more or less opposite to Gibson and Camp's "Civil War Trilogy".
Read more about this topic: Bob Gibson (musician)
Famous quotes containing the words glory and/or years:
“But can see better there, and laughing there
Pity the giants wallowing on the plain.
...
Pygmies expand in cold impossible air,
Cry fie on the giantshine, poor glory which
Pounds breast-bone punily, screeches, and has
Reached no Alps: or, knows no Alps to reach.”
—Gwendolyn Brooks (b. 1917)
“When any man expresses doubt to me as to the use that I or any other woman might make of the ballot if we had it, my answer is, What is that to you? If you have for years defrauded me of my rightful inheritance, and then, as a stroke of policy, of from late conviction, concluded to restore to me my own domain, must I ask you whether I may make of it a garden of flowers, or a field of wheat, or a pasture for kine?”
—Matilda Joslyn Gage (1826–1898)