Bob Clark - Career

Career

Though best known for his involvement with these familiar titles, Clark's career actually began squarely in the horror genre, in the early 1970s. His first film of this ilk, Children Shouldn't Play with Dead Things (1972), was a blend of comedy and graphic horror.

Clark and his collaborator for this film, screenwriter and makeup artist Alan Ormsby, would revisit the zombie subgenre in 1972's Deathdream, also known by its alternate title, Dead of Night, a Vietnam War allegory that takes its cue from the classic short story The Monkey's Paw. The slasher film Black Christmas (1974) was one of his most successful films in this period, and is remembered today as an influential precursor to the modern slasher film genre. Clark had moved to Canada, then a tax haven for Americans, and these productions were small by Hollywood standards but made Clark a big fish in the small pond of the Canadian film industry of that era.

Clark executive-produced the moonshine movie Moonrunners, which was used as source material for the TV series The Dukes of Hazzard. Clark later produced the 2000 TV movie The Dukes of Hazzard: Hazzard in Hollywood. Clark and others sued Warner Bros. over the studio's 2005 movie The Dukes of Hazzard, winning a $17.5 million settlement just prior to the movie's release.

Turning toward more serious fare, Clark scored a critical success with the Sherlock Holmes film Murder by Decree, starring Christopher Plummer and Geneviève Bujold, which won five Genie Awards including Best Achievement in Direction and Best Performance for both leads. He followed this with a TV movie of the Bernard Slade play Tribute, starring Jack Lemmon reprising his Broadway role, for which Lemmon was nominated for an Academy Award and 11 Genies including a win for Lemmon's performance.

Clark returned to his B-movie roots, though, co-writing, producing, and directing Porky's, a longtime personal project. Clark had a detailed outline based on his own youth in Florida, which he dictated into a cassette recorder due to illness, and collaborator Roger Swaybill said of listening to the tapes, "I became convinced that I was sharing in the birth of a major moment in movie history. It was the funniest film story I had ever heard." Though set in the United States, the film would go on to gross more than any other English-language Canadian film. The film was the third most successful release of 1982 and by the end of the film's lengthy initial release, in 1983, Porky's had secured itself a spot, albeit short-lived, as one of the top-25 highest grossing films of all time in the US. The film was (also briefly) the most successful comedy in film history. Porky's overwhelming success is credited as launching the genre of the teen sex comedy so prevalent throughout the 1980s and which continued into the millennium in such movies as the American Pie franchise. Clark wrote, produced, and directed the film's first sequel, Porky's II: The Next Day (1983), which shifted the focus away from the title character to two new antagonists with perhaps greater relevance, a sleazy local politician who cynically caters to the influence of a blustering fundamentalist preacher while seducing a teenage girl. Clark refused involvement with a third film, Porky's Revenge!, which brought Porky and the sexual exploits of the cast back front and center as in the first installment.

He instead collaborated with Jean Shepherd on A Christmas Story, which critic Leonard Maltin described as "one of those rare movies you can say is perfect in every way". Although not a box-office smash in its theatrical release, A Christmas Story would go on to become a perennial a holiday favorite via repeated TV airings and home video. A joint effort at a sequel in 1994, My Summer Story, did not fare as well; Maltin said that the studio waited too long, and Clark was forced to recast almost the entire film. Three other film versions of the Parker family had been produced for television by PBS with Shepherd's involvement during the late 1980s, also with a different cast, but without Clark's participation.

Clark continued to stay active in the film industry until his death, with lower-budget fare mixed in with brief runs at higher targets. A Hollywood Reporter critic, speaking after his death, described his career as "a very unusual mix of films", because he "at times was a director-for-hire and would do films that, to say the least, aren't stellar". Some of his last output included Baby Geniuses and SuperBabies: Baby Geniuses 2.

Clark was nominated twice for the Razzie Awards as "Worst Director", for Rhinestone and Superbabies: Baby Geniuses 2. At the end of his life, he was working with Howard Stern on a remake of Porky's, and three of his early horror films were slated for expensive remakes: Children Shouldn't Play With Dead Things, Deathdream and Black Christmas.

Clark was divorced, and had one other son, Michael.