Blue Angels - Origin of Squadron Name, Insignia and Paint Scheme

Origin of Squadron Name, Insignia and Paint Scheme

When initially formed, the unit was called the Navy Flight Exhibition Team. The squadron was officially redesignated as the United States Navy Flight Demonstration Squadron in December 1974. The original team was christened the Blue Angels in 1946, when one of the pilots came across the name of New York City's Blue Angel Nightclub in The New Yorker magazine; the team introduced themselves as the "Blue Angels" to the public for the first time on 21 July 1946, in Omaha, Nebraska.

The official Blue Angels insignia was designed by then team leader Lt. Cmdr. R.E. "Dusty" Rhodes and approved by Chief of Naval Operations in 1949. It is nearly identical to the current design. In the cloud in the upper right quadrant, the aircraft were originally shown heading down and to the right. Over the years, the plane silhouettes have changed along with the squadron's aircraft. Additionally, the lower left quadrant, which contains the Chief of Naval Air Training insignia, has occasionally contained only Naval Aviator wings.

Originally, demonstration aircraft were navy blue (nearly black) with gold lettering. The current shades of blue and yellow were adopted when the team transitioned to the Bearcat in 1946. For a single year in 1949, the team performed in an all-yellow scheme with blue markings.

Read more about this topic:  Blue Angels

Famous quotes containing the words origin of, origin, paint and/or scheme:

    For, though the origin of most of our words is forgotten, each word was at first a stroke of genius, and obtained currency, because for the moment it symbolized the world to the first speaker and to the hearer. The etymologist finds the deadest word to have been once a brilliant picture.
    Ralph Waldo Emerson (1803–1882)

    All good poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity.
    William Wordsworth (1770–1850)

    Arrive in the afternoon, the late light slanting
    In diluted gold bars across the boulevard brag
    Of proud, seamed faces with mercy and murder hinting
    here, there, interrupting, all deep and debonair,
    The pink paint on the innocence of fear;
    Walk in a gingerly manner up the hall.
    Gwendolyn Brooks (b. 1917)

    We hold these truths to be self-evident:
    That ostracism, both political and moral, has
    Its place in the twentieth-century scheme of things....
    John Ashbery (b. 1927)