Image
The image of the blind musician is an important touchstone in many cultures, even where the influence of the blind on music has been limited. The idea of Homer, the blind poet, for example, has had a long existence in Western tradition, even though its basis in truth is uncertain. The legendary 6th century Breton druid and bard Kian/Gwenc'hlan is depicted as being imprisoned after having his eyes gouged out for refusing to convert to Christianity and singing out that he isn't afraid to die.
In his book Singer of Tales, Albert Lord explains that in Yugoslavia he found many stories of blind musicians, but few current musicians who were actually blind. Natalie Kononenko had a similar experience in Turkey, though one Turkish musician of great talent, Ashik Veysel was in fact blind. The popularity of the idea of the blind musician has inspired several artists. John Singer Sargent painted a 1912 canvas based on this theme, and Georges de la Tour has a whole series of paintings devoted to blind musicians.
Though the idea of blind musicians may be even more prevalent than their actuality, it remains true that at many points in history and in many different cultures, blind musicians, individually or as a group, have made important contributions to the development of music. Some of these contributions are discussed below.
Blind musicians have also appeared in Muslim harems to entertain the patron and his wives.
Robert Heinlein made a science fiction use of the "blind bard" theme in "The Green Hills of Earth".
Read more about this topic: Blind Musicians
Famous quotes containing the word image:
“My image is a statement of the symbols of the harsh, impersonal products and brash materialistic objects on which America is built today. It is a projection of everything that can be bought and sold, the practical but impermanent symbols that sustain us.”
—Andy Warhol (1928–1987)
“Not for nothing does it say in the Commandments ‘Thou shalt not make unto thee any image’ ... Every image is a sin.... When you love someone you leave every possibility open to them, and in spite of all the memories of the past you are ready to be surprised, again and again surprised, at how different they are, how various, not a finished image.”
—Max Frisch (1911–1991)
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—Melinda M. Marshall (20th century)