World War I and The End of Vorticism
Thirty-three days after Blast 1 was published, war was declared on Germany. The First World War would destroy vorticism; both Gaudier-Brzeska and T. E. Hulme were killed at the front, and Bomberg lost his faith in modernity. Lewis was mobilised in 1916, initially fighting in France as an artillery officer, later working as a war artist for the Canadian Government. He would try to re-invigorate the avant-garde after the war; Lewis wrote to a friend after the war that he intended to publish a third edition of Blast in November 1919. He organised an exhibition of avant-garde artists called Group X at Heal's Gallery in March–April 1920, and later published a new magazine, The Tyro, of which only two issues appeared. The further issue of Blast failed to appear, and neither of the other two ventures managed to achieve the momentum of his pre-war efforts. Richard Cook writes:
When Lewis returned from the trenches, he hoped to revivify the Vorticist spirit, planning a third issue of Blast and regaining contact with old allies. But the whole context of pre-war experimentation had been dispersed by the destructive power of mechanized warfare, which persuaded most of the former Vorticists to pursue more representational directions thereafter. By 1920 even Lewis was obliged to admit that the movement was dead.
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