A blast beat is a drum beat that originated in jazz, and is often associated with extreme metal and grindcore. It is utilised by many different styles of metal. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal." Blast beats have been described as "maniacal percussive explosions, less about rhythm per se than sheer sonic violence".
Napalm Death is said to have coined the term, though this style of drumming had previously been practiced by D.R.I., Repulsion and others. Blast beats are made with rapid alternating or coinciding strokes primarily on the bass and snare drum. Diverse patterns and timings are also frequently used by more technical players, such as Gene Hoglan (Dethklok/Death/Dark Angel/Strapping Young Lad/Fear Factory), Alex Hernandez (Immolation) and Flo Mounier (Cryptopsy). Alternative styles of blast beats include performing two strokes of the bass drum followed by one stroke of the snare drum. Pete Sandoval frequently uses this technique.
Read more about Blast Beat: History, Characteristics
Famous quotes containing the words blast and/or beat:
“What if there’s nothing up there at the top?
Where are the captains that govern mankind?
What tears down a tree that has nothing within it?
A blast of wind, O a marching wind,
March wind, and any old tune,
March march and how does it run.”
—William Butler Yeats (1865–1939)
“The barge she sat in, like a burnished throne
Burned on the water. The poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them. The oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes.”
—William Shakespeare (1564–1616)