A blast beat is a drum beat that originated in jazz, and is often associated with extreme metal and grindcore. It is utilised by many different styles of metal. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal." Blast beats have been described as "maniacal percussive explosions, less about rhythm per se than sheer sonic violence".
Napalm Death is said to have coined the term, though this style of drumming had previously been practiced by D.R.I., Repulsion and others. Blast beats are made with rapid alternating or coinciding strokes primarily on the bass and snare drum. Diverse patterns and timings are also frequently used by more technical players, such as Gene Hoglan (Dethklok/Death/Dark Angel/Strapping Young Lad/Fear Factory), Alex Hernandez (Immolation) and Flo Mounier (Cryptopsy). Alternative styles of blast beats include performing two strokes of the bass drum followed by one stroke of the snare drum. Pete Sandoval frequently uses this technique.
Read more about Blast Beat: History, Characteristics
Famous quotes containing the words blast and/or beat:
“Once more unto the breach, dear friends, once more,
Or close the wall up with our English dead.
In peace there’s nothing so becomes a man
As modest stillness and humility,
But when the blast of war blows in our ears,
Then imitate the action of the tiger.
Stiffen the sinews, conjure up the blood,
Disguise fair nature with hard-favoured rage.”
—William Shakespeare (1564–1616)
“When a lady of wealth, is seen roaming about in search of cheaper articles, or trying to beat down a shopkeeper, or making a close bargain with those she employs, the impropriety is glaring to all minds. A person of wealth has no occasion to spend time in looking for extra cheap articles; her time could be more profitably employed in distributing to the wants of others. And the practice of beating down tradespeople, is vulgar and degrading, in any one.”
—Catherine E. Beecher (1800–1878)