Music and Sound Effects
Blake's 7's signature music was written by Australian composer Dudley Simpson, who had composed music for Doctor Who for over ten years. The same recording of Simpson's theme was used for the opening titles of all four series of the programme. For the fourth series, a new recording was made for the closing credits that used an easy listening-style arrangement. Simpson also provided the incidental music for all of the episodes except for the Series One episode "Duel" and the Series Two episode "Gambit". "Duel" was directed by Douglas Camfield, who bore a personal grudge against Simpson and refused to work with him, and so Camfield used library music. Elizabeth Parker provided the music and sound effects for "Gambit". Blake's 7 made considerable use of audio effects that are described in the credits as "special sound". Many electronically-generated sound effects were used, ranging from foley-style effects for props including handguns, teleport sounds, spacecraft engines, flight console buttons and background atmospheres. The special sounds for Blake's 7 were provided by the BBC Radiophonic Workshop composers Richard Yeoman-Clark and Elizabeth Parker.
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Famous quotes containing the words music, sound and/or effects:
“Slow, slow, fresh fount, keep time with my salt tears;
Yet slower yet, oh faintly gentle springs:
List to the heavy part the music bears,
“Woe weeps out her division when she sings.”
Droop herbs and flowers;
Fall grief in showers;
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Oh, I could still,
Like melting snow upon some craggy hill,
Drop, drop, drop, drop,
Since nature’s pride is, now, a withered daffodil.”
—Ben Jonson (1572–1637)
““Obedience” and “law”Mthat is what one hears in all moral sentiments. But “caprice” and “freedom” might yet be the last sound that morality makes in the end.”
—Friedrich Nietzsche (1844–1900)
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—Henry David Thoreau (1817–1862)