Black Tie White Noise (song)
"Black Tie White Noise" is the title track from David Bowie's 1993 album. Featuring guest vocals by Al B. Sure!, it was released as a second single from the album in June 1993.
The track was inspired by Bowie's stay in Los Angeles in April 1992, when the city saw race riots in reaction to the Rodney King incident. It is the epitome of its parent album's feelings towards conformity and corporations, with Benetton and the saccharine charity single "We Are the World" among the targets. Bowie would later explain that the track was concerned with the black community's own identity, and how it didn't need to be absorbed into the white community.
It is among the most jazz and soul influenced tracks on the album, highlighted by the key vocal of Al B. Sure!, although Lenny Kravitz was reportedly Bowie's first choice for the duet. Essentially a Rhythm and Blues tune, the song ultimately reinforced the feeling of Bowie's tendency as a chameleon of musical styles.
Released as the album's second single, "Black Tie White Noise" was something of a disappointment commercially, stalling at #36 in the UK, and again failing to chart in America despite a concerted promotional push. Audiences were perhaps confused by Bowie's latest departure of style and already somewhat skeptical given the breakup of Tin Machine, despite the promise that his solo career was over.
A music video for this piece was produced by Mark Romanek, featuring a montage of African-American youth playing in urban Los Angeles, while intercut with scenes of Bowie in a blue suit with his saxophone and Al B. Sure! singing. The music video attempted to capture Bowie's image behind the song: multiple ethnic groups coexisting with their own identities, and not attempting to absorb one another.
Read more about Black Tie White Noise (song): Production Credits, Other Releases, Cover Versions
Famous quotes containing the words black, tie, white and/or noise:
“I respect the ways of old folks, but the blood of a rooster or a goat cannot turn the seasons, change the course of the clouds and fill them up with water like bladders. The other night, at the ceremony for Legba, I danced and sang my fill: I am a black man, no? and I enjoyed it like a true Negro should. When the drums beat, I feel it in the pit of my stomach, I feel the itch in my hips and up and down my legs, I have got to join the party. But that is all.”
—Jacques Roumain (19071945)
“If you tie a horse to a stake, do you expect he will grow fat? If you pen an Indian up on a small spot of earth, and compel him to stay there, he will not be contented, nor will he grow and prosper. I have asked some of the great white chiefs where they get their authority to say to the Indian that he shall stay in one place, while he sees white men going where they please. They can not tell me.”
—Chief Joseph (c. 18401904)
“My age fallen away like white swaddling
Floats in the middle distance, becomes
An inhabited cloud.”
—Philip Larkin (19221986)
“I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
—Henry David Thoreau (18171862)