Reception
The film was a generally moderate commercial success, with a budget of $13 million it grossed $16,171,098.
It has a 58% fresh rating on Rotten Tomatoes, indicating a neutral-positive critical reception. Jason Solomon of The Observer praised the casting "Cassel, Kassovitz and Kidman are beautifully graceful against the backdrop of signs to Tring and Newbury." He continued "The comedy here is gentle, formed of linguistic misunderstandings and cultural clashes and Chaplin's constant efforts to be polite are rather charming. Kidman's exoticism, encapsulated by her peasant-chic wardrobe, is fresh air in St Albans." The BBC reviewer gave the film 4 out of 5 stars, praised Chaplin's and Kidman's "infectious performances" and describe it as a "sparky" and "deviant topical comedy which is funny from start to finish." CNN praised Kidman's "astounding range" and applauded the dialogue as "often sharp, scathingly witty, and displays a wry intelligence."
The New York Times described the film as "competent" but decried the plot as too "insubstantial".
Read more about this topic: Birthday Girl
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (18581915)
“Hes leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropfs and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)