Global Rate of Production
Net primary production is the rate at which new biomass is generated, mainly due to photosynthesis. Global primary production can be estimated from satellite observations. Satellites scan the normalised difference vegetation index (NDVI) over terrestrial habitats, and scan sea-surface chlorophyll levels over oceans. This results in 56.4 billion tonnes C/yr (53.8%), for terrestrial primary production, and 48.5 billion tonnes C/yr for oceanic primary production. Thus, the total photoautotrophic primary production for the Earth is about 104.9 billion tonnes C/yr. This translates to about 426 gC/m²/yr for land production (excluding areas with permanent ice cover), and 140 gC/m²/yr for the oceans.
However, there is a much more significant difference in standing stocks—while accounting for almost half of total annual production, oceanic autotrophs account for only about 0.2% of the total biomass. Autotrophs may have the highest global proportion of biomass, but they are closely rivaled or surpassed by microbes.
Terrestrial freshwater ecosystems generate about 1.5% of the global net primary production.
Some global producers of biomass in order of productivity rates are
| Producer | Biomass productivity (gC/m²/yr) |
Ref | Total area (million km²) |
Ref | Total production (billion tonnes C/yr) |
|---|---|---|---|---|---|
| Swamps and Marshes | 2,500 | ||||
| Tropical rainforests | 2,000 | 8 | 16 | ||
| Coral reefs | 2,000 | 0.28 | 0.56 | ||
| Algal beds | 2,000 | ||||
| River estuaries | 1,800 | ||||
| Temperate forests | 1,250 | 19 | 24 | ||
| Cultivated lands | 650 | 17 | 11 | ||
| Tundras | 140 | ||||
| Open ocean | 125 | 311 | 39 | ||
| Deserts | 3 | 50 | 0.15 |
Read more about this topic: Biomass (ecology)
Famous quotes containing the words global, rate and/or production:
“However global I strove to become in my thinking over the past twenty years, my sons kept me rooted to an utterly pedestrian view, intimately involved with the most inspiring and fractious passages in human development. However unconsciously by now, motherhood informs every thought I have, influencing everything I do. More than any other part of my life, being a mother taught me what it means to be human.”
—Mary Kay Blakely (20th century)
“Unless a group of workers know their work is under surveillance, that they are being rated as fairly as human beings, with the fallibility that goes with human judgment, can rate them, and that at least an attempt is made to measure their worth to an organization in relative terms, they are likely to sink back on length of service as the sole reason for retention and promotion.”
—Mary Barnett Gilson (1877–?)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)