Criticism
Biomass is composed of organic materials, therefore, large amounts of land are required to produce the fuel. Critics argue that the use of this land should be utilized for food distribution rather than crop degradation. Also, climate changes may cause a harsh season, where the material extracted will need to be swapped for food rather than energy. The assumption is that the production of biomass decreases the food supply, causing an increase in world hunger by extracting the organic materials such as corn and soybeans for fuel rather than food.
The cost of implementing a new technology such as biomass into the current infrastructure is also high. The fixed costs with the production of biomass briquettes are high due to the new undeveloped technologies that revolve around the extraction, production and storage of the biomass. Technologies regarding extraction of oil and coal have been developing for decades, becoming more efficient with each year. A new undeveloped technology regarding fuel utilization that has no infrastructure built around makes it nearly impossible to compete in the current market.
Read more about this topic: Biomass Briquettes
Famous quotes containing the word criticism:
“People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher—a Roosevelt, a Tolstoy, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It’s the surest path to obscurity. People get sick of hearing the same name over and over.”
—F. Scott Fitzgerald (1896–1940)
“A friend of mine spoke of books that are dedicated like this: “To my wife, by whose helpful criticism ...” and so on. He said the dedication should really read: “To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harper’s instead of The Hardware Age.””
—Brenda Ueland (1891–1985)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)