Construction
According to Wan, the construction of the original puppet's face for Saw involved clay, papier-mâché, and black ping-pong balls with the irises painted in for the eyes. Paper towel rolls were used internally. To make him move, the puppeteers pulled him along on a fishing line.
For Saw II, Billy was redesigned with mechanical features that could be manipulated by a remote control, including his unhinged jaw and his eyes.
For Saw III, the prop crew was given the original puppet, but found it unfit for work, as time had damaged it. Instead, they recreated Billy, using waterjet-cut foam for his body instead of fiberglass, equipped with plates to hold the puppet together and magnets to attach him to his tricycle. The back of his head was removable, to make it easier to slide animatronic pieces in.
For Saw IV, the prop crew again made the body of waterjet-cut foam, held together by metal rods. They used strong magnets to make a flat rear for the puppet, so it could be easily positioned on any metal surface. The resin-filled ping-pong ball eyes were moved with a remote control, as was the mouth.
Read more about this topic: Billy (Saw)
Famous quotes containing the word construction:
“There’s no art
To find the mind’s construction in the face:
He was a gentleman on whom I built
An absolute trust.”
—William Shakespeare (1564–1616)
“There is, I think, no point in the philosophy of progressive education which is sounder than its emphasis upon the importance of the participation of the learner in the formation of the purposes which direct his activities in the learning process, just as there is no defect in traditional education greater than its failure to secure the active cooperation of the pupil in construction of the purposes involved in his studying.”
—John Dewey (1859–1952)
“No construction stiff working overtime takes more stress and straining than we did just to stay high.”
—Gus Van Sant, U.S. screenwriter and director, and Dan Yost. Bob Hughes (Matt Dillon)