Playing Style
The distinguishing characteristic of Pigg's playing style is the use of complex open-fingered ornaments, in imitation of Irish and Highland piping. His father was a Highland piper, while Billy himself had great interest in Irish music. By contrast, most respected pipers before him would have stuck with an almost wholly staccato style. Tom Clough considered that any departure from this, a style where the chanter was closed and silent between any two notes, would be "a grievous error in smallpipe playing".
The popular Northumbrian pipe tune Holey Ha'penny was originally Irish, known there as The Chorus Jig. Pigg recorded it, as had Tom Clough in the 1920s. The contrast between the two styles can easily be heard between these recordings.
The more open-fingered style was very successful for Pigg's music, allowing him a greater range of expression than a more traditional style. However, his tempos were ferociously fast and somewhat erratic, making his music unsuitable for dancing, and he was notoriously hard to accompany. Unfortunately, he was suffering badly from worsening ill-health throughout the 1950s and 1960s, when all the recordings were made, and it is certain his playing must have suffered. However, the best of his recordings have a wildness and passion which is both inspiring and wholly distinctive.
He has been hugely influential, and many pipers have sought to emulate his style, notably Adrian Schofield.
Read more about this topic: Billy Pigg
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