Television Appearances
Barty appeared several times on the The Dennis Day Show, including once as a leprechaun. Beginning in 1958, he played pool hustler Babby, an occasional "information resource", in eight episodes of the Peter Gunn TV series. Barty starred in the Rawhide episode "Prairie Elephant" in 1961.
Barty was known for his boundless energy and enthusiasm for any productions in which he appeared. He performed with the Spike Jones musical comedy show on stage and television, and is remembered for his remarkable parody of flamboyant pianist Liberace.
Barty also starred in a local Southern California children's show, Billy Barty's Bigtop, in the mid-1960s, which regularly showed The Three Stooges shorts. In one program, Stooge Moe Howard visited the set as a surprise guest. The program gave many Los Angeles area children their first opportunity to become familiar with little people, who until then had been rarely glimpsed on the screen except as two-dimensional curiosities.
Barty also starred as "Sigmund" in the popular children's television show Sigmund and the Sea Monsters produced by Sid Krofft and Marty Krofft from 1974 to 1976. Barty played the evil sidekick on the 1970s Saturday morning TV series Dr. Shrinker, and was a regular cast member of comedian Redd Foxx's variety show The Redd Foxx Show. Barty was regularly seen on the Canadian comedy show Bizarre, a weekly Canadian TV sketch comedy series, airing from 1980 to 1985. In 1983, Barty supplied the voice for "Figment" in EPCOT Center's Journey Into Imagination dark ride. He subsequently supplied a reprisal for the second incarnation, though very brief.
Barty was a beloved annual guest-star on Canada's Telemiracle telethon, one of the most successful (per capita) telethons in the world.
Billy also appeared on a 1971 episode of Celebrity Bowling, paired with Dick Martin, against John Schuck & Michael Ansara. (Billy and Dick won the match, 120-118.)
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Famous quotes containing the words television and/or appearances:
“Laughter on American television has taken the place of the chorus in Greek tragedy.... In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.”
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