Central Statistical Office, United Kingdom
In 1992, McLennan was appointed Director of the Central Statistical Office (CSO) and head of the Government Statistical Services of the United Kingdom. He was the first person from outside the UK to be appointed to that post.
During his tenure, he proposed the merger of the OPCS and the CSO in August 1994, which was subsequently announced by Prime Minister John Major in September 1995 following a consultation period and took place on 1 April 1996 when the Office for National Statistics was launched. He persuaded the Chancellor of the Exchequer, Norman Lamont, to reduce ministerial access to economic statistics in advance of publication and to permit statistics to be released independently of ministers. He produced the Official Statistics Code of Practice, first published in April 1995, which set good practice and principles for statisticians producing official statistics with the aim of promoting high standards and maintaining public confidence in official statistics. He led the CSO through its early years as a 'Next Steps Agency' with demanding and quantified targets for the accuracy of statistics.
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“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)
“I incline to think that the people will not now sustain the policy of upholding a State Government against a rival government, by the use of the forces of the United States. If this leads to the overthrow of the de jure government in a State, the de facto government must be recognized.”
—Rutherford Birchard Hayes (1822–1893)
“There exists a black kingdom which the eyes of man avoid because its landscape fails signally to flatter them. This darkness, which he imagines he can dispense with in describing the light, is error with its unknown characteristics.... Error is certainty’s constant companion. Error is the corollary of evidence. And anything said about truth may equally well be said about error: the delusion will be no greater.”
—Louis Aragon (1897–1982)