Art
His position in art in many ways stands for the Stuckist ethic. He has said "I do this because I can’t do anything else and I’ve spent 20 years doing it." He says the importance of his work is not in the technique, but "what's underneath it"; he redraws or repaints an image as many as eighty times, until he is satisfied with it. He names as influences Marc Chagall, Paula Rego, Ana Maria Pacheco, films and comic books. He has been quoted as saying "People are never sure if we are being ironic or not. We are not. We are coming from the heart."
He often uses symbols in his work, frequently imagery from Jewish, Christian and Pagan traditions. A white dog that appears in paintings is a trickster figure that indicates the human shadow; a blindfold woman, applying make-up, is linked to the Shekinah. These symbols are mostly "unconsciously generated" to create "magical realist" paintings. He said of his painting, God Is an Atheist: She Doesn't Believe in Me:
"I had this move through Christianity and Judaism towards something else—I'm not quite sure what yet. The woman represents both my idea of holiness and the feminine part of myself, which is my link to the Great Mystery—that otherness that you sense behind things but you don't know what it is. I used to call it God, but now that seems a very lame word. In old paintings the dog would have represented fidelity, but it could also be an anagram of God or a trickster figure who illuminates the human shadow (the buried part of us). None of these things are separate: they only appear separate. My paintings are like a magic mirror in fairy stories. I hold it up to try to see my true likeness. Sometimes it takes me years to work out what the symbols mean. That's why I do them—to try and find out something."
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Famous quotes containing the word art:
“The artistic temperament is a disease that affects amateurs.... Artists of a large and wholesome vitality get rid of their art easily, as they breathe easily or perspire easily. But in artists of less force, the thing becomes a pressure, and produces a definite pain, which is called the artistic temperament.”
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“Any authentic work of art must start an argument between the artist and his audience.”
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