Comic Strips
Hoest entered the comic strip community during the 1960s as an assistant on Harry Haenigsen's Penny. After an injury from a 1965 traffic accident kept Haenigsen away from the drawing board, Hoest took over most of the work, although Haenigsen still supervised and signed each Penny strip. In 1970, when Hoest left to start his own strip, My Son John, for the Chicago Tribune New York News Syndicate, Haenigsen chose to end Penny and retired.
Hoest was one of the cartoonists featured in Think Small, a 1967 promotional book distributed as a giveaway by Volkswagen dealers. Top cartoonists of that decade drew cartoons showing Volkswagens, and these were published along with amusing automotive essays by such humorists as H. Allen Smith, Roger Price and Jean Shepherd.
While working on Penny, Hoest began his cartoons about a bickering couple, The Lockhorns, as a single-panel daily on September 9, 1968, with the Sunday feature launched April 9, 1972. He then took an alternate route with Bumper Snickers (1974), a cartoon series about cars and drivers for the National Enquirer. His King Features comic strip, Agatha Crumm, was published as both a daily and a Sunday strip from 1977 to 1996. What a Guy!, co-created with his assistant John Reiner, was syndicated by King Features from 1987 to 1996.
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Famous quotes related to comic strips:
“Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.”
—C. Wright Mills (1916–62)