Career
Deeds he played guitar and sang with a band called "The Five Bops," gaining enough recognition to perform on an Amarillo, Texas radio station. Dees eventually made his way to Nashville, Tennessee where his meeting Roy Orbison led to a collaboration that produced a string of successful songs for Monument Records including the hits "Oh, Pretty Woman" and "It's Over".
In 1967, Dees co-wrote all the songs for the Orbison album and MGM motion picture The Fastest Guitar Alive.
Beyond his work with Orbison, Bill Dees wrote hundreds of songs, a number of which were recorded by performers such as Johnny Cash, Loretta Lynn, Skeeter Davis, Glen Campbell, Billy Joe Royal, Frank Ifield, Mark Dinning and Gene Pitney. In 2000, he recorded his own album titled Saturday Night At The Movies, a compilation of songs previously sung by Orbison that had been written with Dees and some that Dees had written alone.
Dees resided near Branson, Missouri, and continued to write songs with collaborator Jack Pribek until his death on October 24, 2012. He was living at a nursÂing facilÂity in Mountain Home, Arkansas at the time of his death.
Read more about this topic: Bill Dees
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)