Structure
Each segment begins with basic information about a specific district, such as history and geography, and sometimes a humorously bizarre event that happened there. The district is also almost invariably referred to as "fightin'," as in the "Fightin' 11th." All segments feature an interview with its Representative.
One comedic maneuver that Colbert commonly employs in these interviews, particularly when he is interviewing Democrats, is to ask the Representative a loaded question of either "George W. Bush: great President, or the greatest President?", or "the Iraq War: great war, or the greatest war?" When the interviewee, nearly always a Democrat, tries to express his or her disapproval of Bush, Colbert will usually state that the only choice is between "Great or Greatest," and nearly always states, "I'm gonna put you down for 'Great'." (He often refers to previous Democratic representatives who he put down as saying Bush was a 'great' president)
After the interview, Colbert adds the segment to "the big board", a map of the entire United States with district lines drawn; the new district, shown in sparkling gold on a blue background, is usually very difficult or impossible to see due to its small size. Though many districts have been profiled, the map still looks largely vacant overall.
Read more about this topic: Better Know A District
Famous quotes containing the word structure:
“Each structure and institution here was so primitive that you could at once refer it to its source; but our buildings commonly suggest neither their origin nor their purpose.”
—Henry David Thoreau (1817–1862)
“Who says that fictions only and false hair
Become a verse? Is there in truth no beauty?
Is all good structure in a winding stair?
May no lines pass, except they do their duty
Not to a true, but painted chair?”
—George Herbert (1593–1633)
“Just as a new scientific discovery manifests something that was already latent in the order of nature, and at the same time is logically related to the total structure of the existing science, so the new poem manifests something that was already latent in the order of words.”
—Northrop Frye (b. 1912)