Stage Career
In the interim, Blair joined the chorus at the International Casino in New York, and when it closed down, worked in the chorus of Billy Rose's Diamond Horseshoe from January 1940 where Gene Kelly was working as choreographer. "Gene fought for me. He said I could dance, and he needed some good dancers," she wrote in her autobiography. Blair and Kelly's relationship blossomed, culminating in their marriage in October 1941. She and Kelly remained married for sixteen years and had one daughter together before divorcing in 1957.
Blair left Rose's show to accept an offer from choreographer Robert Alton to join the chorus of Panama Hattie, an illustrious line-up which included June Allyson, Doris and Constance Dowling, and Vera-Ellen. Alton—who had previously discovered Gene Kelly—had spotted her when she unsuccessfully auditioned for a part in Louisiana Purchase, During this period she developed a strong interest in Marxism, having been introduced to Lloyd Gough by Kelly, and attended Gough's weekly Marxist study group, which Kelly did not attend. "And it was very serious. Our textbook was The History of the Communist Party of the Soviet Union... I was completely enthralled by the ideas."
In early 1941, Blair secured her first role in a stage play when Kelly's friend William Saroyan chose her to play the female lead role of St. Agnes of the Mice in his play The Beautiful People at the Lyceum Theatre, playing opposite Eugene Loring, and securing excellent reviews from leading critics George Jean Nathan and Richard Watts, Jr.. Watts commented: "The gently sweetly sincere and completely moving gravity and innocence of Miss Blair's utterly right performance is so infinitely touching and beautiful than any studied portrayal could be, that her contribution to the work is gracefully enchanting."
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