Development
Since Betrayal in Antara uses an updated version of Betrayal at Krondor's game engine with some modifications, gameplay is largely the same. The game runs in 256-color 640x480 Super VGA mode within Windows 3.1. The graphics engine uses textured 3D graphics to draw the terrain and uses sprites for most detailed objects. Shops, inns, temples, special locations, and large cities are done as pictures usable through hotspots. Smaller towns have 3D buildings. Character, NPC, and monster art is based on hand-drawn images. In combat and puzzle screens, all characters are animated. The game models illumination to a certain extent: in the overworld, day and night are modeled, and in underground locations, the player needs to use a torch or light spell to illuminate the surroundings.
Read more about this topic: Betrayal In Antara
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“The man, or the boy, in his development is psychologically deterred from incorporating serving characteristics by an easily observable fact: there are already people around who are clearly meant to serve and they are girls and women. To perform the activities these people are doing is to risk being, and being thought of, and thinking of oneself, as a woman. This has been made a terrifying prospect and has been made to constitute a major threat to masculine identity.”
—Jean Baker Miller (20th century)
“This was the Eastham famous of late years for its camp- meetings, held in a grove near by, to which thousands flock from all parts of the Bay. We conjectured that the reason for the perhaps unusual, if not unhealthful development of the religious sentiment here, was the fact that a large portion of the population are women whose husbands and sons are either abroad on the sea, or else drowned, and there is nobody but they and the ministers left behind.”
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“The American has dwindled into an Odd Fellow—one who may be known by the development of his organ of gregariousness.”
—Henry David Thoreau (1817–1862)