Benin Empire - Golden Age

The Oba had become the paramount power within the region. Oba Ewuare, the first Golden Age Oba, is credited with turning Benin City into City States from a military fortress built by Ogiso, protected by moats and walls. It was from this bastion that he launched his military campaigns and began the expansion of the kingdom from the Edo-speaking heartlands.

Oba Ewuare was a direct descendant of Eweka I great grandson of Oduduwa, Oni of Ife.

A series of walls marked the incremental growth of the sacred city from 850 CE until its decline in the 16th century. In the 15th century Benin became the greatest city of the empire created by Oba Ewuare. To enclose his palace he commanded the building of Benin's inner wall, a seven mile (11 km) long earthen rampart girded by a moat 50 feet (15 m) deep. This was excavated in the early 1960s by Graham Connah. Connah estimated that its construction, if spread out over five dry seasons, would have required a workforce of 1,000 laborers working ten hours a day seven days a week. Ewuare also added great thoroughfares and erected nine fortified gateways.

Excavations also uncovered a rural network of earthen walls 4 to 8 thousand miles long that would have taken an estimated 150 million man hours to build and must have taken hundreds of years to build. These were apparently raised to mark out territories for towns and cities. Thirteen years after Ewuare's death tales of Benin's splendors lured more Portuguese traders to the city gates.

At its maximum extent, the empire extended from the western Ibo tribes on the shores of the Niger river, through parts of the southwestern region of Nigeria (much of present day Ondo State, and the isolated islands (current Lagos Island and Obalende) in the coastal region of present day Lagos State). Expansion of the MidWestern Benin Kingdom eastwards was stopped by the aggressive autonomous Igbo villages southeast of the Niger river, the Oyo Kingdom, which extended through most of SouthWestern Nigeria in the West to parts of present day Republic of Benin, and the Northerly tribes united under the new and fiercely proselytistic Islamic faith.

The state developed an advanced artistic culture, especially in its famous artifacts of bronze, iron and ivory. These include bronze wall plaques and life-sized bronze heads depicting the Obas of Benin. The most common artifact is based on Queen Idia, now best known as the FESTAC Mask after its use in 1977 in the logo of the Nigeria-financed and hosted Second Festival of Black & African Arts and Culture (FESTAC 77).