Style
Shahn mixed different genres of art. His body of art is distinctive for its lack of traditional landscapes, still lifes, and portraits. Shahn used both expressive and precise visual languages, which he coalesced through the consistency of his authoritative line. His background in lithography contributed to his detail-oriented look Shahn is also noted for his use of unique symbolism, which is often compared to the imagery in Paul Klee's drawings. While Shahn's "love for exactitude" is apparent in his graphics, so too is his creativity. In fact, many of his paintings are inventive adaptations of his photography.
Evocative juxtapositions characterize his aesthetic. He intentionally paired contrasting scales, colors, and images together to create tension. One signature example is seen in his play between industrial coolness and sympathetic portrayals. Handball demonstrates his "use of architectural settings as both psychological foil to human figures and as expressive abstract pattern."
His art is striking but also introspective. He often captured figures engrossed in their own worlds. Many of his photographs were taken spontaneously, without the subject's notice. Although he used many mediums, his pieces are consistently thoughtful and playful.
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“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (18991961)