Early Life and Career
Daniels was born Phyllis Virginia Daniels (Bebe was a childhood nickname) in Dallas, Texas. Her father was a theater manager and her mother a stage actress. The family moved to Los Angeles, California in her childhood and she began her acting career at the age of four in the first version of The Squaw Man. That same year she also went on tour in a stage production of Shakespeare's Richard III. The following year she participated in productions by Morosooa and David Belasco.
By the age of seven Daniels had her first starring role in film as the young heroine in A Common Enemy. At the age of nine she starred as Dorothy Gale in the 1910 short film The Wonderful Wizard of Oz. At the age of fourteen she starred opposite film comedian Harold Lloyd in a series of Lonesome Luke two-reel comedies starting with the 1915 film Giving Them Fits. The two eventually developed a publicized romantic relationship and were known in Hollywood as "The Boy" and "The Girl."
In 1919, she decided to move to greater dramatic roles and accepted a contract offering from Cecil B. DeMille, who gave her secondary roles in such films as Male and Female (1919), Why Change Your Wife? (1920), and The Affairs of Anatol (1921).
Read more about this topic: Bebe Daniels
Famous quotes containing the words early life, early, life and/or career:
“... business training in early life should not be regarded solely as insurance against destitution in the case of an emergency. For from business experience women can gain, too, knowledge of the world and of human beings, which should be of immeasurable value to their marriage careers. Self-discipline, co-operation, adaptability, efficiency, economic management,—if she learns these in her business life she is liable for many less heartbreaks and disappointments in her married life.”
—Hortense Odlum (1892–?)
“I realized how for all of us who came of age in the late sixties and early seventies the war was a defining experience. You went or you didn’t, but the fact of it and the decisions it forced us to make marked us for the rest of our lives, just as the depression and World War II had marked my parents.”
—Linda Grant (b. 1949)
“All I know is that first, you’ve got to get mad. You’ve got to say, ‘I’m a human being, goddamn it, my life has value.’ So I want you to get up now, I want all of you to get up out of your
chairs. I want you to get up right now, and go to the window, open it, and stick your head out, and yell, ‘I’m as mad as hell, and I’m not going to take it anymore.’”
—Paddy Chayefsky (1923–1981)
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)