Beauty and The Beast (musical) - Musical Numbers

Musical Numbers

Act I
  • Overture* —
  • Prologue —
  • Belle —
  • No Matter What*# -
  • No Matter What*#/Wolf Chase* —
  • Me*# —
  • Belle (Reprise) —
  • Home* —
  • Home (Tag)*
  • Gaston† —
  • Gaston (Reprise)† —
  • How Long Must This Go On?*# —
  • Be Our Guest† —
  • If I Can't Love Her*# —
Act II
  • Entr'acte/Wolf Chase* —
  • Something There —
  • Human Again‡ —
  • Maison des Lunes# -
  • Beauty and the Beast —
  • If I Can't Love Her (Reprise)*# —
  • A Change in Me# —
  • The Mob Song —
  • The Battle* -
  • Home* (Reprise) —
  • Transformation* —
  • Finale -

* New song or instrumental cue

† Expanded vocal or instrumental content, using either cut lyrics by Ashman or dance arrangements by Glen Kelly, or both.

‡ "Human Again" was written by Menken and Ashman for the movie, but was cut, due to the complications it made on the film's timeline. it was repurposed for the Broadway play, and on account of the musical's great success, an entirely new animated sequence based on the Broadway version was set to this song and inserted into 2002's Special Edition DVD release.

§ "A Change In Me" was written into the show in 1998 and was retained thereafter.

# not in the Junior Broadway show

Read more about this topic:  Beauty And The Beast (musical)

Famous quotes containing the words musical and/or numbers:

    Fifty million Frenchmen can’t be wrong.
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.

    All experience teaches that, whenever there is a great national establishment, employing large numbers of officials, the public must be reconciled to support many incompetent men; for such is the favoritism and nepotism always prevailing in the purlieus of these establishments, that some incompetent persons are always admitted, to the exclusion of many of the worthy.
    Herman Melville (1819–1891)