Characters
| Character | Description |
| Beast/Young Prince | A Prince transformed into a terrifying beast for his lack of compassion; hot-tempered and commanding, but with a warm, loving heart buried far beneath his gruff exterior. |
| Belle | A vibrant, intelligent young beauty who wants much more than her provincial life. |
| Gaston | The story's antagonist. The vain, egotistical, ultra-masculine villain determined to marry Belle. |
| Lumiere | A suave, French, debonair enchanted candelabra. The valet of the castle. |
| Mrs. Potts | A warm-hearted, maternal enchanted teapot. The cook of the castle. |
| Babette | A saucy, enchanted feather-duster, and the object of Lumiere's affections. The chamber maid of the castle. |
| Madame de la Grande Bouche | A former opera diva turned into an enchanted wardrobe. |
| Cogsworth | A tightly-wound, enchanted stuffy mantle clock and the head of the Beast’s household. The butler of the castle. |
| Maurice | Belle’s loving, eccentric inventor father. |
| Chip | An enchanted teacup, and Mrs. Potts' little boy. |
| Monsieur d'Arque | The creepy, scheming proprietor of the local insane asylum, the Maison des Lunes. |
| Ensemble | Silly Girls, Enchanted Objects, Townspeople, Tavern Patrons, Mob. |
| Lefou | Gaston’s bumbling, toady sidekick. |
Read more about this topic: Beauty And The Beast (musical)
Famous quotes containing the word characters:
“Though they be mad and dead as nails,
Heads of the characters hammer through daisies;
Break in the sun till the sun breaks down,
And death shall have no dominion.”
—Dylan Thomas (1914–1953)
“The first glance at History convinces us that the actions of men proceed from their needs, their passions, their characters and talents; and impresses us with the belief that such needs, passions and interests are the sole spring of actions.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“I cannot be much pleased without an appearance of truth; at least of possibility—I wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.”
—Frances Burney (1752–1840)