Beatrice Wood - Dada and The Avant-garde

Dada and The Avant-garde

During this time period, Wood was introduced to Marcel Duchamp, who in turn introduced her to her first great love interest, Henri-Pierre Roché, a man fourteen years her senior. She worked with Duchamp and Roché in the 1910s to create The Blind Man, a magazine that was one of the earliest manifestations of the Dada art movement in New York City.

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Famous quotes containing the words dada, avant-garde:

    The Dada object reflected an ironic posture before the consecrated forms of art. The surrealist object differs significantly in this respect. It stands for a mysterious relationship with the outer world established by man’s sensibility in a way that involves concrete forms in projecting the artist’s inner model.
    —J.H. Matthews. “Object Lessons,” The Imagery of Surrealism, Syracuse University Press (1977)

    An avant-garde man is like an enemy inside a city he is bent on destroying, against which he rebels; for like any system of government, an established form of expression is also a form of oppression. The avant-garde man is the opponent of an existing system.
    Eugène Ionesco (b. 1912)