Stage Appearances
- Not Likely (West End, 1914)
- 5064 Gerrard (West End, 1915)
- Samples (West End, 1916)
- Some (West End, 1916)
- Cheep (West End, 1917)
- Tabs (West End, 1918)
- Bran Pie (West End, 1919)
- Oh, Joy! (West End, 1919)
- Now and Then (West End, 1921)
- Pot Luck (West End, 1921)
- The Nine O'Clock Revue (West End, 1922)
- Andre Charlot's Revue of 1924 (Broadway, 1924)
- Charlot Revue (Broadway, 1925-1926)
- Oh, Please (Broadway, 1926-1927)
- She's My Baby (Broadway, 1928)
- This Year of Grace (Broadway, 1928-1929)
- Charlot's Masquerade (West End, 1930)
- The Third Little Show (Broadway, 1931)
- Too True to Be Good (Broadway, 1932)
- Walk a Little Faster (Broadway, 1932-1933)
- Please (West End, 1933)
- At Home Abroad (Broadway, 1935-1936)
- The Show Is On (Broadway, 1936-1937)
- Happy Returns (West End, 1938)
- Set to Music (Broadway, 1939)
- Big Top (West End, 1942)
- Seven Lively Arts (Broadway, 1944-1945)
- Better Late (West End, 1946)
- Inside U.S.A. (Broadway, 1948-1949)
- An Evening With Beatrice Lillie (Broadway and West End, 1952-1953)
- Ziegfeld Follies of 1957 (Broadway, 1957)
- Auntie Mame (Broadway and West End, 1958) (four week Broadway replacement for Greer Garson)
- A Late Evening with Beatrice Lillie (Edinburgh Festival, 1960)
- High Spirits (Broadway, 1964-1965)
Read more about this topic: Beatrice Lillie
Famous quotes containing the words stage and/or appearances:
“In Manhattan, every flat surface is a potential stage and every inattentive waiter an unemployed, possibly unemployable, actor.”
—Quentin Crisp (b. 1908)
“It is doubtless wise, when a reform is introduced, to try to persuade the British public that it is not a reform at all; but appearances must be kept up to some extent at least.”
—George Bernard Shaw (1856–1950)