Beat (acoustics) - Difference Tones

Difference Tones

Consider the two waves starting in unison, f1f2 = 0. As the difference between f1 and f2 increases, the speed increases. Beyond a certain proximity (usually about 15 Hz), beating becomes undetectable and a roughness is heard instead, after which the two pitches are perceived as separate. If the beating frequency rises to the point that the envelope becomes audible (usually, much more than 20 Hz), it is called a difference tone. The violinist Giuseppe Tartini was the first to describe it, dubbing it il Terzo Suono (Italian for "the third sound"). Playing pure harmonies (i.e., a frequency pair of a simple proportional relation, like 4/5 or 5/6, as in just intonation major and minor third respectively) on the two upper strings of a violin, such as the C above middle C against an open E-string, will produce a clearly audible C two octaves lower.

An interesting listening experiment is to start from a perfect unison and then very slowly and regularly increase the pitch of one tone. When one tone starts to split out from the former twin-note, a slow rumbling can be heard, gradually increasing into an audible tone.

Read more about this topic:  Beat (acoustics)

Famous quotes containing the words difference and/or tones:

    The difference between Pound and Whitman is not between the democrat who in deep distress could look hopefully toward the future and the fascist madly in love with the past. It is that between the woodsman and the woodcarver. It is that between the mystic harking back to his vision and the artist whose first allegiance is to his craft, and so to the reality it presents.
    Babette Deutsch (1895–1982)

    This was Venice, the flattering and suspect beauty—this city, half fairy tale and half tourist trap, in whose insalubrious air the arts once rankly and voluptuously blossomed, where composers have been inspired to lulling tones of somniferous eroticism.
    Thomas Mann (1875–1955)