Bazooka Cafe - Characters

Characters

Cocoa Nitta
A housewife and an exotic beauty who you first met while she was studying abroad in Japan and working part-time at your father's cafe. You've harbored a secret admiration for her since then, but when she quit to marry her college professor you thought all was lost... She seems calm, composed, and motherly, but actually has a strong character and can be quite jealous. Her hobbies include cooking, tea appreciation, and fellatio. Age 25.


Mitsuki Takahara
The main character's former co-worker at his office job, a lively girl who just can't seem to stay still. She is impulsive and combative, and while inexperienced she wants to marry and learn the joys of sex as soon as possible. Her hobbies include touring Japan's hot springs and delicious restaurants. Age 22.


Narumi Takeuchi
The main character's childhood friend and college girlfriend, she was raised in a kendo (Japanese fencing) dojo and is currently a kendo instructor. She is a stoic character who hates losing and doesn't take jokes very well, but is easily embarrassed, especially during sex. Her hobbies include kendo and caring for her long black hair. Age 24.


Yayoi Uesugi
A career woman and the main character's boss from his office days, she projects a cool and confident image. She has a complex regarding her large chest and the unwanted attention it brings, though. Her hobbies include listening to relaxing music, and skin care (as she is actually worried about getting older). Age 27.

Read more about this topic:  Bazooka Cafe

Famous quotes containing the word characters:

    I cannot be much pleased without an appearance of truth; at least of possibility—I wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.
    Frances Burney (1752–1840)

    Thus we may define the real as that whose characters are independent of what anybody may think them to be.
    Charles Sanders Peirce (1839–1914)

    There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.
    George Eliot [Mary Ann (or Marian)