Battle of Washita River - Depictions in Film and Television

Depictions in Film and Television

During the late 20th century, a time of activism for Native American and minority civil rights, and protests about the Vietnam War, film and other media reflected changes in historians' perspective on the Battle of Washita River. They also used the event to reflect on contemporary issues.

In the 1970 film Little Big Man, based on the 1964 novel by Thomas Berger, director Arthur Penn depicted the Seventh Cavalry's attack on Black Kettle's village on the Washita as a massacre resembling the 1968 My Lai massacre by U.S. troops during the Vietnam War.

The 1991 TV movie Son of the Morning Star, based on Evan S. Connell's book of the same name, presented the battle from the points of view of Kate Bighead (Cheyenne) and Elizabeth Custer. It depicted Chief Black Kettle as being killed by Custer's troopers, and Custer's not waiting for word of Major Elliott.

The television series Dr. Quinn, Medicine Woman aired a special double-episode entitled "Washita" on April 29, 1995. The episode set the scene of the Washita attack in Colorado instead of Oklahoma, the site of the actual battle. It fictionalized Custer as deliberately misleading Colorado settlers about the difference between Black Kettle and his band, depicted as peaceful, and the Dog Soldiers, who were attacking farms and railroad crews. Lead character Dr. Michaela "Mike" Quinn made futile attempts to argue with Custer and to warn Black Kettle of impending massacre.

In the 2003 film The Last Samurai, Tom Cruise plays Captain Nathan Algren, a veteran of the Seventh Cavalry of the 1860s. His participation in the Washita action, depicted as a massacre, leaves him haunted by nightmares.

Episode 4 of the 2005 TV miniseries Into the West briefly depicts a scene showing actors portraying Custer's attacking and Black Kettle's fleeing the village.

Read more about this topic:  Battle Of Washita River

Famous quotes containing the words film and television, depictions, film and/or television:

    The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.
    Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)

    Surely, of all creatures we eat, we are most brutal to snails. Helix optera is dug out of the earth where he has been peacefully enjoying his summer sleep, cracked like an egg, and eaten raw, presumably alive. Or boiled in oil. Or roasted in the hot ashes of a wood fire.... If God is a snail, Bosch’s depictions of Hell are going to look like a vicarage tea-party.
    Angela Carter (1940–1992)

    The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.
    Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)

    There is no question but that if Jesus Christ, or a great prophet from another religion, were to come back today, he would find it virtually impossible to convince anyone of his credentials ... despite the fact that the vast evangelical machine on American television is predicated on His imminent return among us sinners.
    Peter Ustinov (b. 1921)